Motionless

It’s my first time. Half of my motionless body rests inside the white, clinical, cylindrical machine, in my head resembling an intergalactic coffin. I feel an itch, but I have to resist moving. I want to cough, to sneeze, to yawn, ugh, of course, at the most inopportune moments, for

Blow-Up (1966): Between reality and glamourised fantasy

Sixties London represents an alluring myth, a commercialised fantasy, a glamourised concept that conjures up a world of freedom, drugs, fashion, sex, and rock and roll in which young people revelled as a reaction against traditional values. It is a period of revolution and positive changes, which evokes a vibrant,

Midsommar (2019) – the representation of mental illness through horror, the psychological susceptibility to cult narratives, & the power of empathy

Midsommar (2019) is a dark-themed cinematic fairytale described by its director and writer Ari Aster as a “horror movie about codependency”. The film encompasses a portrayal of mental illness- bipolar disorder, anxiety, and mood disorders, the pattern and dynamics of a dysfunctional codependent relationship, the exploitation of trauma and vulnerability

High Life (2018) – A sinister, dreamlike voyage

High Life (2018) is a hypnotising, mostly slow-paced, eerie sci-fi film directed by Claire Denis, French director associated with art-house films & known for transcending cinematic conventions. The film evokes a dreamlike, uncanny mood with some sinister, twisted aspects, sexual experiments, and violence, all wrapped up in a greater sense

Wuthering Heights (2011) and the uncanny connection with nature

The following film stills represent a collection of brief moments providing a glimpse of the haunting, alluringly grim aesthetic of Wuthering Heights (2011), directed by Andrea Arnold. The film is a moody, visceral, atmospheric cinematic version of the story featuring the natural beauty and intensity of Kaya Scodelario as Cathy

Review / analysis: Osmosis (2019, TV series)

Osmosis (2019, TV, now on Netflix), created by Audrey Fouché, is a French sci-fi drama series with echoes of Black Mirror, albeit less nihilistic, and a tinge of Sense8, with its telepathic encounters. It revolves around the frequently explored sci-fi concept of AI-facilitated romance, interwoven with corresponding existential, moral, and political concerns, as

A poem: Evocation

There was nothing left except her orange blossom scent in the air, her skin cells on the conspiring blanket, the energy he was feeding off and her seraphic aspirations, elegantly penned in a forlorn diary before her concept of the world expanded into postmodern depths and her self-concept became a liberating

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