“I wanted to create a waking dream on screen and show that horror is not to be found in the things around us but in our own subconscious” — Carl Theodor Dreyer about his film, Vampyr (1932) Vampyr is a hypnotic and claustrophobic mix of eerie images featuring surreal elements
I might be biased because I grew up with Hallmark Entertainment and with this film, but, as much as I appreciate Elizabeth Taylor and Vivien Leigh, Leonor Varela’s depiction of the Queen of the Nile will always be my favourite. I remember the confidence of the queen on screen,
The opening sequence of Melancholia (2011, Lars von Trier), a collection of gloomy, surreal, painting-resembling, slow-motion shots, is an insidious introduction to the themes of this compelling cinematic symphony of death. What completes the eerie visual dreamscape is the exquisite, haunting piece of music by Wagner – the Prelude to
After the success of his intense directorial debut, Ex Machina, Alex Garland creates a cinematic adaptation of Jeff VanderMeer’s first book from the Southern Reach Trilogy, Annihilation. The sci-fi thriller turns out to be a visually stunning exploration into the unknown, which in this case borrows the form of the
Polish self-taught fine art photographer Kamila Kansy, known as Laura Makabresku, draws inspiration from her strong, intimate connection to her native land – which she perceives as a mysterious realm of sinister fairy tales, in order to design a tragic world revolving around death, obscure eroticism, suffering, and human frailty.
Fascinated by the mysterious quality of the colour photographs of William Eggleston, a 20 year-old Alex Prager decided to buy a professional camera and dark room equipment in order to express herself creatively through images, in her quest for existential meaning. 18 years later, currently on show at the Photographers’
Face to face: eyes locked, staring into each other; seeing your reflection in the dark lake of her iris. Hand on hand, praying together- not like those bible verses preach- no, praying to the abyss, hoping it won’t swallow you whole; understanding at first the irony and then the futility