Film review: Vampyr (1932), dir. Carl Theodor Dreyer

“I wanted to create a waking dream on screen and show that horror is not to be found in the things around us but in our own subconscious” — Carl Theodor Dreyer about his film, Vampyr (1932) Vampyr is a hypnotic and claustrophobic mix of eerie images featuring surreal elements shown through an interplay ofContinue reading “Film review: Vampyr (1932), dir. Carl Theodor Dreyer”

Film sequence analysis: Melancholia (2011) – the surreal overture

The opening sequence of Melancholia (2011, Lars von Trier), a collection of gloomy, surreal, painting-resembling, slow-motion shots, is an insidious introduction to the themes of this compelling cinematic symphony of death. What completes the eerie visual dreamscape is the exquisite, haunting piece of music by Wagner – the Prelude to the tragic opera Tristan undContinue reading “Film sequence analysis: Melancholia (2011) – the surreal overture”

A glimpse of Annihilation (2018). The Uncanny Within.

After the success of his intense directorial debut, Ex Machina, Alex Garland creates a cinematic adaptation of Jeff VanderMeer’s first book from the Southern Reach Trilogy, Annihilation. The sci-fi thriller turns out to be a visually stunning exploration into the unknown, which in this case borrows the form of the enigmatic ‘Shimmer’, a disquieting yetContinue reading “A glimpse of Annihilation (2018). The Uncanny Within.”