A selection of artworks from the stunning, eerie underwater photography collection by Bulgarian visual artist and fine art photographer Mira Nedyalkova. Mira’s work depicts the beautiful facets of pain and sadness in fluid forms, whilst linking water with eroticism, as well as exploring the erotic in the light of the
Two bodies wrapped in an embrace in a tomb of glitter and frost- the blood lingers while they kiss, then it pours gently down the legs of the cradle surrounded by mist. The lake of tears reflects the moon of sorrow- trembling, fluid, unpredictable; their red eyes locked, unblinking, while eternity replaces the
Quiet and frozen: A reflection approaches within the glass I seek meaning in a meaningless palace of empty eyes and half-hearted smiles. Statues of philosophers vis-à-vis- From expresionless to sad, their face changes mood: they empathise. Neither pain nor pleasure felt- My mindless mind projects conflicting eyes filling a void of thought
I taste the blood of dehydrated lips, admire the inadequately plucked eyebrows above vapid black circles surrounded by red on translucent white. Dark hair, itchy like rope against my neck, frozen hands trembling, features particularly thin: I forgot how to live, yet I laugh at my own sin.
She was standing by the window, her face seemingly puzzled by the familiar noise of trains rushing incessantly and birds making harpy-like sounds. It was really taking her back. Back to the days when she made connections between the number of the floor she was living on and the corresponding
the fragile body and soul now shine with a different light and cast a different shadow: the light of god, the shadow of Lucifer. – Distracted by my flame, I spilled some water in that little cavity between you and me. Your presence turned it into ice, I stepped towards