A glimpse of Perfect Blue

Perfect Blue (1997), directed by Satoshi Kon, is a disturbing, disorienting, surreal Japanese animated psychological horror/thriller film based on the 1991 novel “Perfect Blue: Complete Metamorphosis” written by Yoshikazu Takeuchi. Mima, a 21-year-old former pop icon pursuing an acting career, can no longer discern between reality and fantasy, as she is haunted by ghosts of her past as a teen idol and subsequently delves into paranoid delusions and nightmares. Her doppelgänger- an elusive mirror figure seemingly belonging to a parallel reality- is an embodiment of her former J-pop self whose taunting remarks about her failed diva status seem to spring from her own unconscious mind. The underlying commentary of the film touches the theme of unstable selfhood correlated with celebrity and the vicious effects of stardom, in a dark critique of Japanese pop culture and the cult of celebrity.
This eerie stylised depiction of madness filled with blood, violence, and suspense, has been seen as an animated version of a Giallo thriller directed by Dario Argento; it has also been cited as the inspiration behind Darren Aronofsky’s work, the most obvious one being Black Swan.

Costume design symbolism in Crimson Peak (2015): Lucille’s breathtaking blue velvet dress

crimson-peak-lucille-blue-velvet-dress-symbolism

Crimson Peak (2015), directed by Guillermo del Toro, is a visually stunning, gloomy cinematic horror spectacle, noted for its incredible and haunting aesthetic. A particularly remarkable and alluring feature of the intricate production design is Lucille’s breathtaking blue velvet dress. The bewitching symbolically-charged Victorian design of the dress includes a black garland resembling a vine with withered leaves, claustrophobically climbing towards her pale neck. The owner, played by the mesmerising Jessica Chastain, is a beautiful, tense, frigidly graceful corset-wearing ice queen filled with dark repressed emotions, whose attire reflects her inner state. Her blue, heavy rigid dress seems to blend with her eerie funereal surroundings, the underwater feeling given by the aquatic colours and the flickering interplay of light and darkness, the dark curtains, and the grandiose blue walls of the Gothic mansion. She is tragically connected to the ominous house and the dead vines tangled up around her body further anchor her in it, symbolising her psychological confinement. She is often shown in contrast to pure, innocent, and lively Edith, played by Mia Wasikowska, who wears light and loose gowns.

A poem: Echoes

A silhouette merging with the unknown-
all that is left is your breath in the cold air
as you exhale in slow motion.
I speak in shadows,
you respond with specters of light,
haunting every word-
making sense of it all;
I choose to live in the now,
but if you whisper in my ear
I will take decades to figure out
why you chose to disappear
that day
when I ran down the hallway-
gargoyles staring from above-
for a second I thought I could hear
another set of footsteps
under a different weight
even after I accepted your longing
for the netherworld.
The statues were grotesque,
threatening, demon-like in thunder and lightning,
and still, I hoped that hallway would never end
just so I could hear the sounds again and again
and convince myself they weren’t merely
echoes of my footsteps into the unknown.