Spiralling,
A beckoning sign.
I’ve been teetering on a thin line
The catalyst-
Something as simple
as a knife twist,
disguised.
A reframing of purity-
turned glacial.
A false sense of security,
dissipating.
Withdrawing, inward
submersion.
It’s coming, one step forward-
the possession
the engulfing
It’s on.
The switch has been turned.
The demon has been summoned
I sense the first intimations of life,
feel its claw without being touched,
almost taste its void, hushed
She picks up and licks the knife
it turns into a magic wand in her hand
the open wound morphs into a black hole
I can no longer lick it to exorcise my self
She is free to bleed into me, she’s in control
The last protective layer is pulled off, violently.
After a battle spree
progressing morbidly, artfully
I summon the will
to lull the beast to sleep
before I get silent and still
I’m in it really deep
yet once again manage to make it all seep
out of me as I get ready to take another leap.
Tag: writing blog
-
The engulfing
-
Siren’s prayer
In my dream
I was a siren, dwelling
in a pool of blood
filled with corpses
of preys
awaiting
their starved predator;
Musical, aquatic Scheherazade-
unwilling witness, captive,
or cold-blooded accomplice
with a gnawing change of heart-
so not so cold-blooded after all?
Moon-intoxicated, I sensed
your presence from afar,
running, teeth-clenching-
anxiety rising,
clinging
to the last tidal dream,
I wonder – who am I
supposed to
hypnotise:
the new live prey,
the ghosts of the dead,
or you?
Reluctant to find out,
I sing my melody, inwardly
to drown out the sound
of your blood feast. -
Uncanny encounter
Lifting the white veil, I open the old, mysterious drawer. Inside, next to a fairy tale-infused wooden music box and some forgotten Christmas and birthday cards that seem to either yearn for my full attention or yearn to be left alone or be destroyed, I see the charming box where the photographs are stored – those prosthetic memories that seem to have developed a life of their own. Where I currently live, few objects that are explicitly mnemonic tend to survive the memorabilia purge I execute regularly sometimes in my attempts at minimalism and sometimes for the sake of symbolically shedding the past and starting afresh – a peculiar habit, perhaps, for someone fascinated with archives and the archival process and antique stores. Any letter or card would have to be extremely emotional, soul-stirring, and potentially heart-wrenching for some reason (for instance reflecting the cavernously deep feelings of the sender) in order to coexist with me for long periods of time. I’d have to feel like throwing it away would be a blasphemous act. Or alternatively, there should be something within that object that propelled my mind to get spiritually irrational and make up a superstition about it, specifically a superstition of what might happen if I got rid of it, so I just let it rest in some corner instead, where it’s cast into oblivion.
Any physical diaries I have ever had have been burnt – I couldn’t get rid of them in any other way: flames are symbolic. The process is more cathartic than deleting a LiveJournal account, but everything has been digitised and that works for me, despite the supposed deprivation of the haptic pleasure and of the magic of writing with a fountain pen in a beguilingly beautiful notebook. With the amazing texture, designs, and cover art of some notebooks nowadays, I’d probably decay with indecision whilst trying to decide what thoughts were noble enough to be written in such a diary anyway, and if I managed to decide, I’d still curse myself whenever I have to cross out one word and I would embellish the hell out of those noble thoughts to the point where it would be more of an exercise in literary style, imagination, and language rather than one in authenticity, self-awareness, or memory preservation. I suppose I’ll stick to the occasional LiveJournal entries and notes on my phone for that.
I have also deleted many photographs along the years and there are long chapters in my life that only ever still exist, in some vague, distorted form, in my mind. Rather than doing so out of an impulse or lapse in judgement, it was always planned and I have always been at peace with it, which is even more sacrilegious. Freud would be disappointed – he praised the power of photography to act as a reliable mnemonic device, since physical proof of a memory combats the decay the memory would face if it were only stored in one’s mind – hence liable to distortions over time. In his view, diaries, photographs, cards, are all part of a chain of mnemonic devices which free us, helping us unload the burden that we would have to hold if memories were permanently retained in our minds. They are extensions of identity, of your inner life, aiding our capacity to remember, which in turn allows us to absorb new information and conceive fresh thoughts. Eh, anyway, family photos, in particular, lie by omission – in addition to being an enemy to individuality, which is sacrificed in favour of an unreal collective past. Belonging whilst losing one’s self. Not to mention the notion of counter-memory and how trying to retain the past might only bring about its destruction, ultimately alienating you from your past and from life and making you construct false or weirdly altered memories. Photographic self-obliteration as a form of resurrection or metamorphosis. The intersection between the other and the self, photographic depiction and identity: the end of existence.
I open the charming, memory-preserving or memory-annihilating box. The photo album has an imposing, magnetic presence. As I turn the pages, I remember most of the photos, so they’re hardly nostalgic artefacts. I’m quite desensitised due to this observation and the fact that nothing seems to elicit an emotional response. But then I reach one portrait that I must have seen before, surely, and yet there’s something I haven’t read on her face before. Am I imagining this? It seems uncanny. The girl in the picture, a defying, atemporal doppleganger, an embodiment of a spectral condition, seems to want to tell me “I refuse to exist as an afterthought in this simulacrum”. She wants to step out of the frame and haunt. “I want to smell like Alien, not naphthalene. And this curse of only seeing the light every few years during the holidays…” She reprimands me for forgetting her, for misunderstanding and misconstructing her, for only reanimating her as a “Screen Memory” on rare occasions. I want to hug her. Tell her she is more myself than I am, in a way. Tell her she wouldn’t like it out here. But I remain silent. My expectation of chasing decaying memory traces has turned into an uncanny Blow-Up moment as I catch a glimpse of resignation and almost grief on her face. As I notice this, the door to the unconscious is slightly open, but not enough for her to escape. I know I was supposed to integrate her. But she will be here until next time, feeling trapped. And I will still feel both protective and afraid of her. Perhaps next Christmas it will be different.
-
Sigh
What was that, right there?
Hmm?
Your sigh… a sign of weariness, blasé indifference, the content of decadence, spiritual relief?
…
Concealed contempt, a remembrance of loss, emotional capitulation, or repressed agony?
No, it was actually me remembering your intrusive habit of analysing nonverbal cues and how in moments like these it tends to rub me the wrong way. Consider it a sign of my discontent with this dynamic.
We should look into that, I’m sure there’s a reason for it. And for building invisible barriers of psychological impenetrability and feeling resentment whenever I try to cross them. Perhaps it’s because…
Hilarious. You’re talking about trespassing, excavating, and infusing. There’s a way to enter someone’s inner world, force and a lack of subtlety are usually not the way. And seriously…The fact that you get visibly and, depending on your familiarity or affinity with the observer, often vocally irritated when the same treatment of psyche dissection is being inflicted upon you without consent…Now, what was that golden rule of Confucius?
Before you embark on a journey of revenge, dig two graves?
That’s probably misattributed. And a cautionary statement more than a rule. Give it another shot.
To be wronged is nothing, unless you continue to remember it!
…Also not a rule. And I’ll be buried with my grudges.
Not an ethical rule, but a self-help rule. Look, I know, but are you truly bothered or just digging up reasons to be dissatisfied with and closed off to me?
It is more shameful to distrust our friends than to be deceived by them.
You don’t actually live by that. Also, preaching about trust… Your obsessive devotion to double standards is the gateway drug to narcissism. But I’ll look past this because I see a version of myself in you.
Your dogmatic devotion to projection under the disguise of spiritual awareness is a gateway drug to psychotic solipsism.
-
Window to the soul
I watched her face
as she integrated all of them
inside her being
the change was subtle
I was attuned to her
inner turmoil
recognising the look
of the split self
in micro-expressions;
others couldn’t tell
why she seemed off-
the warning signs,
so tragically striking
in retrospect.
Her soul seemed made
of something solemn, unrelenting-
I trusted she could bounce back
from the lowest circles of hell. -
May Queen
I shut my eyes and let her caress me
with her veils, scents, and many voices
that touch me in moonlight-tinted spaces;
a mother figure, playful yet collected-
forgiving minor sins, sighs, disguises,
the slight disturbances of
extinguished raptures,
in a glimpse of purity,
in my unknown gestures of kindness –
towards myself and others – she saw
a potential for lightness
She rewards the sweetness
of the gaze with an aura of safety
She crowns me May Queen
whilst I bury my past
and penchant for remoteness
in a crimson house
overrun with honeysuckle vines. -
Nausea
When the whole world is drenched
in performative glue,
you feel everything’s tainted
still, you want your mind re-painted
so you can try to pursue
the myth that it’s all about perspective:
treat it like a tool or an ordeal, right?
it doesn’t always hold up,
especially at night
when you try to untwine
your hair and your spine
when one insight
can incite a riot inside
and you are so tired-
you know the tiredness I’m speaking of-
that of piercing through the sickly sweet
glue that ties people together
when they should be apart
unwittingly toxic,
such entanglement ensures
a removal from any ounce of
authenticity
your pathological detachment
from genuineness
is the source of my nausea. -
Rite of passage
the texture of hell can seep through a broken mind,
but its lingering echoes will leave a mark
looking ahead, I see parks filled with disease,
a small, kaleidoscopic winter coat wrapped around
a phantasmal presence that screams:
I am Home-
I am a haunted home
where it rains.
her hand reaches out to
wipe the morning dew
off a snowdrop lost
in the glittering white-
a mystical anachronism
I look at her with a half-smile;
as if sensing it, she turns around,
mirroring me-
meanwhile,
the world is disintegrating
in secrecy
an ethereal cage descends to envelop us;
a moment cannot define an entire existence
unless it echoes
its beginning and its end
our fate and lips are sealed
it’s more than a folie à deux
bred in liminality
a pact between blue hedonism
and dazzling dissimulation
clears the way forward-
some voices may forever
be confined within
yet the dreams ascend. -
An allegory
Let your mind paint a rainy cityscape. A girl dressed in black, with a mask and noisy heels steps on the sidewalk. Her tears merge with the raindrops. Each tear encapsulates an entire mini-universe, lingering on her cheeks, like undetectable tokens of fluid vulnerability. A stranger passes her by, closely. His slightly curious, slightly worried gaze briefly meets hers. That’s when she remembers she’s in a public space: Maybe the distress in her eyes was visible, after all. His face doesn’t show pity, which is fortunate, for she hates pity – she’s always been too proud for it. But maybe she misinterpreted his facial expression and it wasn’t really concern. Maybe he misinterpreted her expression as something else too. He reminds her of someone – someone kind, sweet, wise, and very dear to her. Someone who knew how to unleash her vulnerable and dreamy side simply by being himself. The rare realness of this person was always rewarded with the privilege of meeting all the facets of her personality.
What her expression conveyed was grief. All-consuming grief, manifested as an affliction of the mind and the body. The inner chaos-intense, the body-tense, during the painful procession. Towards the funeral of the distilled dreams of being. Still alive are the hopes to resurrect the dreams the next day. Another dream, of inner peace, is born. She is wondering when it will materialise. Meanwhile, sweet echoes fill the mind as background music, sung by the Light Beings, ‘Talent. Creativity. Intelligence. Beauty. Resilience. Strength. Kindness’ This is not your typical funeral song. This is one of those days when the melodic discourse is played like a mantra to assuage the mind, to overpower the inner wailing from the funeral rite, to self-induce good vibes, in order to help her keep putting one foot in front of the other foot instead of collapsing. Like an incantation, to banish other toxic thoughts. It’s one of those days when other aspects resonate too strongly, sucking the power out of the good ones, and releasing dark energy. These other forces are not as clear. The noise they express themselves in is a sort of gibberish, a chaotic, harmful nonsense, inducing a heaviness of the heart.
There are rooms she doesn’t unlock in her mind, because she doesn’t want to let the poison out. She wants to stay pure. Untainted. One room contains dusty effigies of blacklisted figures. They’re not distinctive or intelligible, they’re merged into each other, shape-shifting embodiments of damaging thoughts. They are all locked away together in a claustrophobic space, drenched in darkness. Poison drips from their mouth as they breathe in the poisonous atmosphere like zombies. Meanwhile, The Light Beings roam in their perfumed, elegantly decorated chambers inside the mind, as companions and guardians. The Light Beings are personified thoughts, but also real-life people. When she dissociates, it’s probably so as to stay away from the poisonous atmosphere when the forbidden door malfunctions. That poison rarely affects anyone else, besides her self, it is confined within her being.
-
Interacting with mental constructs
Have you ever felt like someone interacts with an image or representation of you, that they’ve created and are feeding in their mind, rather than the reality of who you are? You can usually sense it while it happens, it’s often tiring, you might get uncomfortable; depending on the discrepancy between your identity and your interlocutor’s concept of you, your response might naturally be to emotionally distance yourself from them, your body may recoil in distaste, and you might feel like you want to stay away from such situations. It takes too much energy to interact with people who are trying to define you on their own terms, to shape your reality, to induce that they know how you feel or who you are better than you do. You may perceive it as an attack on your self-concept, it feels perversely counter-intuitive- if everyone did this we’d all be trapped in illusions, interacting with our own minds and their fabrications…the distances between us would grow and grow and there would be no genuine connection; authenticity and understanding the reality of another human being completely thrown out of the window. These fabrications are often based on archetypes, on previous experiences, on patterns we have formed in our minds, and shadows bred there. To a certain extent, there is something natural about it, as, in its purer forms, this process helps us make sense of everything.
Everything is mediated through the filter of our consciousness and making associations and creating our concepts of others is inevitable. Labelling. Establishing connections between subjects, to have a point of reference and know what to expect, in the process of interpreting reality and personality. Identifying differences in others, to see ourselves as separate and unique, to define ourselves in the light of this separation, to reinforce our ego’s supremacy. It’s also a survival mechanism, recognising red flags, so you know what or whom to stay away from, whom to trust, who may or may not represent a threat to your well-being. Thinking of people in patterns – the field of psychology is based on this. In the case of someone who has a personality disorder, for instance, it can be very helpful to have a name for what they are experiencing and how they see the world, it can make them feel understood, give them a sense of belonging, a sense of control over themselves and their emotions, encourage them to make a conscious effort to identify with the awareness behind their thoughts and emotions, rather than with a particular emotion (especially if it’s a negative emotion, like anger, fear) or a thought they may be experiencing, that may be intrusive, obsessive, and dictated by a disorder. Of course, on the other hand, there is also the stigma that comes with such labels, risking to be put in a negative light, being seen through that filter, being defined by a certain disorder or affliction. Unfortunately, some can internalise this, thinking of themselves and their disorder symbiotically, it can affect their self-worth. In general, it is quite limiting. Thinking of people in patterns or associating them with something you create in your mind can be limiting. It diminishes them, distorts their essence, reduces their whole identity to a tendency, an idea, a bunch of words, an echo- in the mind of ego-led individuals with narcissistic tendencies. If you interact with representations of people, with mental constructs, with objects, you don’t really allow yourself to see people for what they are. This is often because you may have internalised certain superficial ideas about the world and may be applying them to everyone, consciously or unconsciously. Sometimes it happens out of fear. Of the unknown, the uncontrolled, the unpredictable. A representation is something you have control over, an image you can mould to fit your world view, your ego’s supremacy, something you can annihilate in your head; a real person is something you can’t control, they exist outside the realm of your ego, and thus can be a threat to ego.
Re-defining someone, re-structuring their narrative and identity is problematic, because people don’t tend to like being told who they are, why they do the things they do, what their motivations, feelings, or thoughts are. They often dislike being told they are wrong in some way, faulty in their behaviour, life choices, thinking, identity. It will put them in a position of defence. Such interpretations can be offensive, and often deeply ingrained in the adviser’s specific belief system and incomplete perception of others and they function through projection. You can’t help but dislike or avoid someone who assumes or acts like they know you better than you know yourself, who tries to re-define you in ways you don’t identify with, it’s a natural response of self-preservation. It’s unpleasant to have someone interact with a version of you that doesn’t exist. In my case, someone giving me advice with such constructs in mind would find themselves stepping into a minefield. I know I have a resistance to accepting advice, in general, because I feel like I’m the one who knows what is best for me, but, often, if it’s reasonable advice, devoid of projections, formulated in a constructive way, and if I can feel it comes from a genuine place in someone’s heart, someone who doesn’t interact with a false mental construct, someone who believes in me and doesn’t claim to know what I want better than I do, doesn’t try to dictate how I feel, who wants to see me do well and be the best version of me, then I appreciate it. If, however, I can feel that a piece of advice is insincere, in the sense that it is centred around the adviser, it’s all about them and not me, all about their self-image/ego, their need to be in control, to reinforce their belief system, then I have resistance to it, I find it distasteful. (Unsolicited advice is distasteful in general.) There are some descriptors and emotions that I don’t associate with my self-concept, and I can’t stand it when others imply or assume it about me. Okay, this does sound like an egoic defence, we all have them. What matters is not letting ego dictate our interactions with or perceptions of others, and not defining ourselves in conscious or unconscious opposition with others.
This is particularly problematic when you think about the well-known mental process of ‘other’-ing when it comes to racial, gender, nationality, or sexuality differences, different religious or political beliefs, although it’s not restricted to these areas, for it can apply on many levels, personal and cultural. This process can have a great negative impact on human connections, because it obstructs the capacity to have empathy for fellow human beings; and it can manifest itself through passive-aggressiveness, animosity, or it can become especially toxic when it facilitates aggression. Narcissistic tendencies are prevalent in contemporary society. If you pay attention, you can see the seeds of narcissism very easily, and recognise the narcissistic way of relating to others as mental constructs, even in yourself. Depending on the degree of resistance determined by your ego, this awareness might make you more open to seeing beyond these representations. With an awareness of inner pride and prejudice, of the constant process of mediation, you may no longer be quick to reduce people to fabrications, project any misplaced thoughts and traits onto them, and interact with mental constructs. We are human, we are fallible, our perceptions particularly so. Since this often centres around the demands of the ego to see itself as superior to others, let’s have a look at narcissism. Sam Vaknin, a psychologist who specialises in narcissism, who is a diagnosed narcissist, provided an insightful description of the way narcissists relate to inner objects in their fantasy world. Additionally, he talked about the beneficial nature and use (beneficial to the narcissist, detrimental to everyone around them) of this defence mechanism and way of relating of the narcissist, refuting the common thought that (pathological) narcissists lack the capacity for emotion. They are simply no longer in touch with their emotions, and don’t have an understanding of them, because, at some point, they may have decided that emotions can be debilitating and destabilising, hence it’s better to detach and alienate themselves from them. Their emotions are experienced through a “cognitive analytical filter”. They also interact with others through these filters, rather than forming a genuine connection. The extreme cognitive distortions of others happening in the minds of pathological narcissists can be seen as an amplification of the process that even people of a more sound and reasonable mental configuration indulge in, albeit with more restraint.
“The narcissist has impaired reality testing. And the very essence or definition of pathological narcissism is a grandiose fantasy. A narcissist can’t make the difference between fantasy and reality. Also, because they interact with inner objects, they confuse inner objects with outer/external objects. You know the famous mechanism of snapshotting, where they interact with a snapshot of you. They take a snapshot of you and then they interact with it, with your representation, your avatar, your introject, not with you. What they do is they internalise external objects, especially significant objects, especially objects that can cause them pain by let’s say abandoning them, so they internalise these objects and then they continue to interact with representations within a shared fantastic space. And they can’t tell the difference. This is why they mislabel emotions. Narcissists can feel intense emotions. Many scholars speculated that perhaps narcissism and psychopathy are reactions, defensive reactions, defensive attempts to avoid very deep emotionality. Perhaps narcissists emote too much, too intensely. They are about to be overwhelmed by their emotions, so they isolate themselves from their emotions, they put up a fire wall, a fortress to avoid their emotions. The thing is they feel, they experience the emotion, but they don’t know what it is. Because they are divorced from reality, […] they experience their emotions through a cognitive analytical filter. They have to ask themselves what they are feeling. And then they compare their experiences, their reactions, their wounds, their affect, their behaviours, they compare all this to an internal database. A database where they have entries and listings for how people behave when. How people behave when they are happy, and so on.’” – Sam Vaknin
If we extrapolate this description beyond the context of pathological narcissism, and we recognise the resonance of this mechanism beyond those around us who are pathological, not only does the aforementioned process lead to an alienation from others because we don’t really see the reality of others, but also to an alienation from ourselves and our emotions. Because our culture becomes increasingly narcissistic, our relationships with reality tend to get warped, the filter between us and reality gets muddled. Since we don’t integrate certain parts of ourselves as it’s more comfortable to live in a fantasy world where we and the constructs in our minds are infallible, we also don’t properly integrate other people’s realities within our conceptual world. This happens especially when other people embody specific aspects that are reflections of parts of ourselves that we dislike or deny, that we consider to be negative.
Consciousness is a complicated terrain to navigate, even our own, let alone others’. This awareness, that everyone has an internal life we either know nothing about or only have a glimpse of, that all people identify and see themselves in particular ways, that their inner lives shouldn’t be confused with our mental constructs, and shouldn’t be reduced to the way we consciously or unconsciously restructure their existence in our minds- this awareness can only have a positive impact. Because it fosters connection and care, discourages violence, and makes us more attuned to the emotions and realities of others. Perhaps if more people had this insight, this awareness of discrepancy, there would be more understanding and kindness in the world. Perhaps in a less narcissistic society that values authenticity more than ego fortresses and self-centredness, kindness and empathy would be viewed as signs of strength, not of weakness or fakeness.
In the spirit of mental conversations with authors, I will include a more pessimistic view by the supreme lyrical nihilist, Emil Cioran, who believes we are all living embodiments of our own private dogmas, and we celebrate ourselves for it. Whilst his view doesn’t clash with what I wrote, since it reinforces the idea that each of us lives within the parameters of his or her inner universe, the pessimism lies in the fatalistic rigidity of this narrative and his conclusion that awakening from our “dogmatic sleep” would equal death.
“Life has dogmas more immutable than theology, each existence being anchored in infallibilities which exceed all the lucubrations of madness or of faith. Even the skeptic, in love with his doubts, turns out to be a fanatic of skepticism. Man is the dogmatic being par exellence, and his dogmas are all the deeper when he does not formulate them, when he is unaware of them, and when he follows them.
We all believe in many more things than we think, we harbour intolerances, we cherish bloody prejudices, and, defending our ideas with extreme means, we travel the world like ambulatory and irrefragable fortresses. Each of us is a supreme dogma to himself, no theology protects its god as we protect our self. How to escape the absolute of oneself? One would have to imagine a being without instincts, without a name, and to whom his own image would be unknown. But everything in the world gives us back our own features; night itself is never dark enough to keep us from being reflected in it.
The man who does not adore himself is yet to be born. Everything that lives loves itself; if not, what would be the source of the dread which breaks out in the depths and on the surfaces of life? Each of us is, for himself, the one fixed point in the universe. And if someone dies for an idea, it is because it is his idea, and his idea is his life.
No critique of any kind of reason will waken man from his “dogmatic sleep.” It may shake the unconscious certitudes which abound in his philosophy and substitute more flexible propositions for his rigid affirmations, but how, by a rational procedure, will it manage to shake the creature, huddled over its own dogmas, without bringing about its very death?” – Emil Cioran on Unconscious Dogmas