Quarantine film recommendation: I Am Mother

I Am Mother (2019), a post-apocalyptic sci-fi film directed by Grant Sputore, starts off at a slow pace, revealing the eerie routine and mother-daughter bond between an android and a human inside an enclosed, clinical ‘repopulation facility’ resembling a spaceship. Besides them, from the first shots we find out that the site contains thousands ofContinue reading “Quarantine film recommendation: I Am Mother”

Blow-Up (1966): Between reality and glamourised fantasy

Sixties London represents an alluring myth, a commercialised fantasy, a glamourised concept that conjures up a world of freedom, drugs, fashion, sex, and rock and roll in which young people revelled as a reaction against traditional values. It is a period of revolution and positive changes, which evokes a vibrant, frenetic city where fun andContinue reading “Blow-Up (1966): Between reality and glamourised fantasy”

Costume design symbolism in Crimson Peak (2015): Lucille’s breathtaking blue velvet dress

Crimson Peak (2015), directed by Guillermo del Toro, is a visually stunning, gloomy cinematic horror spectacle, noted for its incredible and haunting aesthetic. A particularly remarkable and alluring feature of the intricate production design is Lucille’s breathtaking blue velvet dress. The bewitching symbolically-charged Victorian design of the dress includes a black garland resembling a vine withContinue reading “Costume design symbolism in Crimson Peak (2015): Lucille’s breathtaking blue velvet dress”

Reviews: Psychological horror films set in the fashion world: The Neon Demon (2016) and Helter Skelter (2012)

The Neon Demon (2016), directed by Nicolas Winding Refn, is a surreal hyper-stylised psychological horror film unveiling a dark satire of the fashion industry. Elle Fanning plays Jesse, who epitomises the trope of the pure, genuine, angelic character entering a wicked world filled with artificial, soulless, manufactured characters, and becoming tainted by her surroundings. Meanwhile,Continue reading “Reviews: Psychological horror films set in the fashion world: The Neon Demon (2016) and Helter Skelter (2012)”

Film review: Vampyr (1932), dir. Carl Theodor Dreyer

“I wanted to create a waking dream on screen and show that horror is not to be found in the things around us but in our own subconscious” — Carl Theodor Dreyer about his film, Vampyr (1932) Vampyr is a hypnotic and claustrophobic mix of eerie images featuring surreal elements shown through an interplay ofContinue reading “Film review: Vampyr (1932), dir. Carl Theodor Dreyer”

Film sequence analysis: Melancholia (2011) – the surreal overture

The opening sequence of Melancholia (2011, Lars von Trier), a collection of gloomy, surreal, painting-resembling, slow-motion shots, is an insidious introduction to the themes of this compelling cinematic symphony of death and destruction. What completes the eerie dreamscape is the exquisite, haunting piece of music by Wagner – the Prelude to the tragic opera TristanContinue reading “Film sequence analysis: Melancholia (2011) – the surreal overture”