I Am Mother (2019), a post-apocalyptic sci-fi film directed by Grant Sputore, starts off at a slow pace, revealing the eerie routine and mother-daughter bond between an android and a human inside an enclosed, clinical ‘repopulation facility’ resembling a spaceship. Besides them, from the first shots we find out that the site contains thousands of human embryos, as Mother promises the family will extend when she is ready to raise more children. Whilst Daughter receives advanced education in various fields ranging from medicine to philosophy, everything is surrounded by an aura of mystery as the film offers little explanation for the circumstances of the “extinction event” and whatever is happening outside the facility beyond the warnings of Mother about the toxicity of the external environment. When a visitor is surreptitiously granted access to their sanctuary thanks to the rebellious and inquisitive nature of Daughter, the pace and atmosphere of the film change, and we are oscillating between the clashing words, convictions, and insidious influences of Mother and of the newcomer. The evocative performances, touching cinematography, beautiful intimacy, and the maternal bonding established in the first part of the film are powerful elements facilitating the process of empathising with the robot and being invested in their connection, which gets saddening and complicated when conflicts arise between them, when reality outside the protective bubble that Daughter has been raised in is gradually unveiled.