The OA – visions of afterlives, glimpses into a multiverse

Netflix’s The OA, created by Brit Marling & Zal Batmanglij, is an intriguing, engrossing fantasy show centred around Prairie (played by Brit), a young vanishing woman who resurfaces 7 years after her bizarre disappearance, to the happiness and bewilderment of her adoptive parents. After her peculiar return, she refers to herself as the OA and focuses on her mission to save other captives. The OA enrols others on a mystical mission, meeting them at night in an empty house in a cult-like gathering.

Quarantine film recommendation: I Am Mother

I Am Mother (2019), a post-apocalyptic sci-fi film directed by Grant Sputore, starts off at a slow pace, revealing the eerie routine and mother-daughter bond between an android and a human inside an enclosed, clinical ‘repopulation facility’ resembling a spaceship. Besides them, from the first shots we find out that the site contains thousands ofContinue reading “Quarantine film recommendation: I Am Mother”

Analysis: Meshes of the Afternoon (1943): a spiralling lucid nightmare, Maya Deren, & A dialogue with the Unconscious

Meshes of the Afternoon (1943) is a memorable, experimental, surreal short film directed and written by Maya Deren. Referred to as poetic psychodrama, the film was ahead of its time with its focus on depicting fragments of the unconscious mind, externalising disjointed mental processes, dreams, and potential drama through poetic cinematic re-enactments brought to lifeContinue reading “Analysis: Meshes of the Afternoon (1943): a spiralling lucid nightmare, Maya Deren, & A dialogue with the Unconscious”

Blow-Up (1966): Between reality and glamourised fantasy

Sixties London represents an alluring myth, a commercialised fantasy, a glamourised concept that conjures up a world of freedom, drugs, fashion, sex, and rock and roll in which young people revelled as a reaction against traditional values. It is a period of revolution and positive changes, which evokes a vibrant, frenetic city where fun andContinue reading “Blow-Up (1966): Between reality and glamourised fantasy”

Midsommar (2019) – the representation of mental illness through horror, the psychological susceptibility to cult narratives, & the power of empathy

Midsommar (2019) is a dark-themed cinematic fairytale described by its director and writer Ari Aster as a “horror movie about codependency”. The film encompasses a portrayal of mental illness- bipolar disorder, anxiety, and mood disorders, the pattern and dynamics of a dysfunctional codependent relationship, the exploitation of trauma and vulnerability that is part of theContinue reading “Midsommar (2019) – the representation of mental illness through horror, the psychological susceptibility to cult narratives, & the power of empathy”

High Life (2018) – A sinister, dreamlike voyage

High Life (2018) is a hypnotising, mostly slow-paced, eerie sci-fi film directed by Claire Denis, French director associated with art-house films & known for transcending cinematic conventions. The film evokes a dreamlike, uncanny mood with some sinister, twisted aspects, sexual experiments, and violence, all wrapped up in a greater sense of despair and despondency attributedContinue reading “High Life (2018) – A sinister, dreamlike voyage”

Wuthering Heights (2011) and the uncanny connection with nature

The following film stills represent a collection of brief moments providing a glimpse of the haunting, alluringly grim aesthetic of Wuthering Heights (2011), directed by Andrea Arnold. The film is a moody, visceral, atmospheric cinematic version of the story featuring the natural beauty and intensity of Kaya Scodelario as Cathy and her ineffable connection withContinue reading “Wuthering Heights (2011) and the uncanny connection with nature”

Review / analysis: Osmosis (2019, TV series)

Osmosis (2019, TV, now on Netflix), created by Audrey Fouché, is a French sci-fi drama series with echoes of Black Mirror, albeit less nihilistic, and a tinge of Sense8, with its telepathic encounters. It revolves around the frequently explored sci-fi concept of AI-facilitated romance, interwoven with corresponding existential, moral, and political concerns, as well as realistic coexisting anxieties.Continue reading “Review / analysis: Osmosis (2019, TV series)”

A glimpse of Perfect Blue

Perfect Blue (1997), directed by Satoshi Kon, is a disturbing, disorienting, surreal Japanese animated psychological horror/thriller film based on the 1991 novel Perfect Blue: Complete Metamorphosis written by Yoshikazu Takeuchi. Mima, a 21-year-old former pop icon pursuing an acting career, can no longer discern between reality and fantasy, as she is haunted by ghosts ofContinue reading “A glimpse of Perfect Blue”

Short reviews: Lurid Cult Horror films – Fascination, The Beyond, and Videodrome

Fascination (1979) is an artful aesthetically-pleasing erotic Gothic horror film situated between arthouse and grindhouse, directed by Jean Rollin. Rollin tends to be associated with the sexploitation genre, yet he is recognised for the surreal dark fantasy style of his lyrical, tantalising, elegant, and atmospheric films, combining sensuality and visual poetry. Fascination’s opening scene takesContinue reading “Short reviews: Lurid Cult Horror films – Fascination, The Beyond, and Videodrome”