Resurrections of renowned artworks

Here are a few examples of more or less obscure (this is why Loving Vincent is not on this list) representations and recreations of famous artworks through fine art photography, film, animations, and video installations. In Derek Jarman’s stylised historical drama shot in 35mm film, Caravaggio (1986), the director creates an engrossing, dreamlike fictionalised accountContinue reading “Resurrections of renowned artworks”

Belladonna of Sadness (1973)

Belladonna of Sadness (1973), dir. Eiichi Yamamoto, is an unsettling hallucinatory Japanese animated film made up of Expressionistic and Symbolist moving paintings, with a variety of artistic influences. The captivating story of Jeanne unfolds through a succession of stunningly ethereal and luridly nightmarish tableaux featuring symbolic yet disturbing depictions of rape, violence, suffering, decomposition, andContinue reading “Belladonna of Sadness (1973)”

Films with an oneiric structure

The Hourglass Sanatorium / Sanatorium pod Klepsydra (1973) is a mesmerising, hallucinatory Polish film directed by Wojciech Has, unfolding like a dream with a playful narrative and poetic contemplation on life, time, and feelings of déjà-vu. Once he enters the peculiar, decaying setting of the sanatorium to search for his father, the protagonist goes onContinue reading “Films with an oneiric structure”

Three colours: Blue – An Uncanny Emotional Landscape

Three Colours: Blue is the first film from Krzysztof Kieślowski‎’s atmospheric, intriguing, evocative Three Colours trilogy. The enigmatic arthouse masterpieces explore different facets of the human condition with a refined sensibility and aesthetic elegance. The three films have been interpreted as an anti-tragedy, an anti-comedy, and an anti-romance by Roger Ebert. The symbolism behind Three Colours: Blue, White, andContinue reading “Three colours: Blue – An Uncanny Emotional Landscape”

The OA – Visions of Afterlives, Glimpses into a Multiverse

Netflix’s The OA, created by Brit Marling & Zal Batmanglij, is an intriguing, engrossing fantasy show centred around Prairie (played by Brit), a young vanishing woman who resurfaces 7 years after her bizarre disappearance, to the happiness and bewilderment of her adoptive parents. After her peculiar return, she refers to herself as the OA and focuses onContinue reading “The OA – Visions of Afterlives, Glimpses into a Multiverse”

Quarantine film recommendation: I Am Mother

I Am Mother (2019), a post-apocalyptic sci-fi film directed by Grant Sputore, starts off at a slow pace, revealing the eerie routine and mother-daughter bond between an android and a human inside an enclosed, clinical ‘repopulation facility’ resembling a spaceship. Besides them, from the first shots we find out that the site contains thousands ofContinue reading “Quarantine film recommendation: I Am Mother”

Delving into the psychology and mythology of The Lighthouse (2019) *spoilers*

The Lighthouse is a symbol, an enigma, & a transcendental mood in which an occult phenomenon seems to occur. It almost appears to be alive, in an obscure way. The Lighthouse is a portal to a world of mythology- we don’t really get to see through it clearly, everything is merely suggested, partly fictive. WeContinue reading “Delving into the psychology and mythology of The Lighthouse (2019) *spoilers*”

Analysis: Meshes of the Afternoon (1943): a spiralling lucid nightmare, Maya Deren, & A dialogue with the Unconscious

Meshes of the Afternoon (1943) is a memorable, experimental, surreal short film directed and written by Maya Deren. Referred to as poetic psychodrama, the film was ahead of its time with its focus on depicting fragments of the unconscious mind, externalising disjointed mental processes, dreams, and potential drama through poetic cinematic re-enactments brought to lifeContinue reading “Analysis: Meshes of the Afternoon (1943): a spiralling lucid nightmare, Maya Deren, & A dialogue with the Unconscious”

Blow-Up (1966): Between reality and glamourised fantasy

Sixties London represents an alluring myth, a commercialised fantasy, a glamourised concept that conjures up a world of freedom, drugs, fashion, sex, and rock and roll in which young people revelled as a reaction against traditional values. It is a period of revolution and positive changes, which evokes a vibrant, frenetic city where fun andContinue reading “Blow-Up (1966): Between reality and glamourised fantasy”

Midsommar (2019) – the representation of mental illness through horror, the psychological susceptibility to cult narratives, & the power of empathy

Midsommar (2019) is a dark-themed cinematic fairytale described by its director and writer Ari Aster as a “horror movie about codependency”. The film encompasses a portrayal of mental illness- bipolar disorder, anxiety, and mood disorders, the pattern and dynamics of a dysfunctional codependent relationship, the exploitation of trauma and vulnerability that is part of theContinue reading “Midsommar (2019) – the representation of mental illness through horror, the psychological susceptibility to cult narratives, & the power of empathy”